A Production Designer's Perspective
What do you see re-presented in the film Moulin Rouge that you see foregrounded
in the documentary, in the artwork of the time?
How does Catherine
Martin's (Moulin Rouge) Monmarte differ from Moore's (documentary) and why?
How might Toulouse-Lautrec's
paintings differ from his posters in terms of their possible influence
on the design of the film?
Post one painting and one poster each from Toulouse-Lautrec that you feel had an influence on the production design of Moulin Rouge, 2002 and briefly explain.
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