- Berkeley 1965 exhibition of Art Nouveau work
- 1965 New York @ MoMA: included non-relational painting, OP art, minimalism, Responsive Eye
- mid 1600's to mid 1800's Japan was closed, isolationism
- seeing Japanese art/objects was brand new to the rest of the world
- Rococo taken to the masses
- new flatness, calligraphic line
- Ukiyo-e - floating cities (Districts in cities in Japanese E-do district, similar to Monmartre: entertainment, brothels, artistic area.)
- Moving from fine popular to applied arts
- more affordable to the masses, not just the wealthy
- actresses as subjects, kabuki actors
- vernacular, popular scenes from everyday life
- organic line describing organic shape, highly stylized & symbolic
- lines like flowing smoke
1850's
Closed off from outside influence, only influenced from other artists inside.
Berkeley 1960's: Mucha, William Bradley
- Kicked off Modern Art style, influenced textile & graphic designers, architects (more than just the same genre & medium - unlike a movement in painting)
- Psychedelic artists used Art Nouveau in the same way that Art Nouveau artists used Ukiyo-e
Art Nouveau - organic becomes part of the structure (architecture)
Victor Horta Museum
Op art
- Bridget Riley "Fission" & "Movement in Squares"
- Victor Vasarely "Vega 200"
- Frank Stella "Fez (2)" - non relational painting
Donald Judd "Untitled (Progression)"
Gestalt (right before or after post-modernism) *word for the day to put in blog
- philosophers @ beginning of 19th century, stroboscope
- Max Werthheimer
- thinking about vision differently & it's physiological influences
- perceptual consequences to messing with light, etc.
- different typefaces come with different connotations
- typeface influences the meaning of the word to each viewer (varies with their relationship, memory of each typeface)
- integrated field, investigation of physiological perception
Wimbledon University students - faces painted with lines to camouflage
gestalt vision
attachment with system of symbolic meaning
psychedelic posters
"Young Bloods" poster: values are all the same, creates vibration.
bringing value & contrast together
Non-relational painting means? It's no longer about communicating (symbollically or allegorically) but trying to effect the viewer physiologically. "Fez(2)"
Andy Warhol's "Exploding Plastic Inevitable"
Elaine Mays "The Wildflower"
Hokusai's & Kunisada's Ukiyo-e prints
Tiffany's glasswork
Max, Moscoso & Mays psychedelic posters
Albers Op Art
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